Frances Barth
Born 1946 in New York City

Education:  

BFA Painting, Hunter College, New York City
MA Painting, Hunter College, New York City
Director, Mt. Royal School of Art, MICA

Solo Exhibitions:

2006

New York Studio School Gallery, New York City

2005

Dartmouth College, Hanover, New Hampshire

2002

Marcia Wood Gallery, Atlanta, Georgia

2000

Donahue Sosinski, New York

1999

Moravian College, Pennsylvania

1998

Marcia Wood Gallery, Atlanta, Georgia

1997

Donahue/Sosinski Fine Art, New York City

1995

Millersville University, Pennsylvania
Jan Cicero Gallery, Chicago, Illinois

1994

E.M. Donahue Gallery, New York City83
University of Massachusetts at Amherst, Herter Art Gallery

1991

Tenri Cultural Institute of New York, New York City

1989

Tomoko Liguori Gallery, New York City

Tomoko Liguori Gallery, New York City

Jan Cicero Gallery, Chicago, Illinois
Nina Freudenheim Gallery, Buffalo, New York

Susan Caldwell, Inc., New York City
“ Russian Abecedary,” Jersey City Museum, New Jersey

Susan Caldwell, Inc., New York City
Jan Cicero Gallery, Chicago, Illinois

Susan Caldwell, Inc., New York City

Susan Caldwell, Inc., New York City

Susan Caldwell, Inc., New York City

Susan Caldwell, Inc., New York City

Susan Caldwell, Inc., New York City

Susan Caldwell, Inc., New York City

2007

"click/shift/enter," Marcia Wood Gallery, Atlanta
"Colors," Sundaram Tagore Gallery, New York
"Luxe, calme and volupte," Marsha Wood Gallery, Atlanta (curated by Joanne Mattera)
"Land Force," Sabina Lee Gallery, Los Angeles, (curated by John L.Moore.)
"Agents of Change: Women, Art, and Intellect," Ceres Gallery, New York, (curated by Dr. Leslie King-Hammond.)

2006

"Surface Tension," Sundaram Tagore Gallery, New York, NY
“Dragon Veins,” Contemporary Art Museum, University of South Florida, Tampa

2004

American Academy of Arts and Letters, NY, NY

2003

Jan Cicero Gallery, Chicago, Illinois

2002

“Drawing Show” Marcia Wood Gallery, Atlanta, Georgia
“Prints from Vermont Studio Center Press,” Robert Hull Fleming Museum,
Burlington, Vermont
Andre Zarre Gallery, New York

2001

“Painting Abstraction II,” New York Studio School, New York
Montserrat College Art Gallery, MA, three person exhibition
Jan Cicero Gallery, Chicago
Donahue Sosinski, New York
Eastern Connecticut State University

1999

Jan Cicero Gallery, Chicago
“Dimension,” Agnes Scott College Atlanta, Georgia, (curated by Cathy Byrd.)
“Drawing in the Present Tense,” Art Gallery, Parsons, New York City, (Traveling: North
Dakota Museum of Art, Grand Forks; Illinois Univ., Normal Illinois.
American Academy Invitational, New York City, purchase award
“ The Pulled Image,” Helen Day Art Center, Stowe, Vermont
Jan Cicero Gallery, Chicago, Illinois
“ Revision,” NEXUS, Atlanta, Georgia
Donahue/Sosinski Fine Art, New York City
Marcia Wood Gallery, Atlanta, Georgia
“Landscape as Abstraction,” James Graham & Sons, NYC, Trans-Hudson Gallery, NYC
“After the Fall: Aspects of Abstract Painting Since 1970”,
Snug Harbor Cultural Center, New York (curated by Lilly Wei)

1996

“Undoing Geometry”, Manhattan Community College, NYC (curated by Michael Chisolm)
Charles Cowles Gallery, New York City
Montserrat College of Art, Massachusetts
Gallery One, Toronto, Canada, “Inner Landscapes: 16xONE”
Smith College Drawing Exhibit, Northampton, Massachusetts
Jan Cicero Gallery, Chicago, Illinois
E.M. Donahue Gallery, New York City

1995

Yale University, “Faculty Works on Paper,” New Haven, Connecticut
Andre Zarre Gallery, New York City
Hunter College Art Gallery, New York City
LaVigie, “Art Contemporain,” Nimes, France
Jan Cicero Gallery, Chicago, Illinois
The New York Studio School, New York City

1994

Andre Zarre Gallery, New York City
Nina Freudenheim Gallery, Buffalo, New York

1993

Andre Zarre Gallery, New York City

1992

Jan Cicero Gallery, Chicago, Illinois
“ Abstract Painting: The 90’s,” Andre Emmerich Gallery, NYC (curated by Barbara Rose.)
“ 1x7”, Andre Zarre Gallery, New York City

1991

Bennington College, Bennington, Vermont
Nina Freudenheim Gallery, Buffalo, New York

1990

“Works On Paper,” Tomoko Liguori Gallery, NYC (with Gregory Amenoff, Hugh O’Donnell)
Jan Cicero Gallery, Chicago, Illinois (with Peter Plagens)
“ Contemporary Prints,” Tomoko Liguori Gallery, New York City
“ Art On Paper,” Weatherspoon Art Gallery, University of North Carolina, Greensboro

1989

Permanent Collection, Metropolitan Museum of Art, New York City
“ Recent Paintings,” Andre Zarre Gallery, New York City
“ Abstractions, Past and Present,” Andre Zarre Gallery, New York City
“ Gallery Artists,” Tomoko Liguori Gallery, New York City
“ Scale, Space, Structure,” Ben Shahn Galleries, William Patterson College,
Wayne, New Jersey (curated by Nancy Einreinhofer)
“ Contemporary Landscape: Five Views,” The Waterworks Visual Arts Center,
Salisbury, North Carolina (curated by John L. Moore; catalogue essay, William Zimmer)
“ Drawings,” Tomoko Liguori Gallery, New York City

1988

“Four Painters,” Andre Zarre Gallery, New York City
“ Paintings & Sculpture,” American Academy & Institute of Arts and Letters, New York City

1987

Concordia College Library Gallery (organized by E. Agee), New York
Yale University Art & Architecture Gallery, New Haven, Connecticut
Nina Freudenheim Gallery, Buffalo, New York
Permanent Collection, Metropolitan Museum of Art, New York City
“ New Aspects of Abstraction,” Jan Cicero Gallery, Chicago, Illinois
Orion Editions, New York City
Jersey City 10th Anniversary Exhibit, Montclair Art Museum, New Jersey

1986

Jersey City Museum 10th Anniversary Exhibit, New Jersey
“ Natural Desire,” David Beitzel Fine Arts, New York City
“ Constructed in Jersey City: Paintings & Sculpture,” Summit Art Center, New Jersey
Nina Freudenheim Gallery, Buffalo, New York
“ Artists at Hunter...,” Hunter College Gallery, New York City (catalogue: M.S. Duffy)

1985

“Painting and Sculpture Today 1984,” Indianapolis Museum, Indiana
“ The Gathering of the Avant-Garde, The Lower East Side 1948-70,”
Kenkelaba Gallery, New York City
“ Abstract Painting, Redefined,” (Traveling: Meisel Gallery, New York City; Munson Williams
Proctor, Utica, NY; Danforth Museum; Bucknell University; Stonybrook Fine Art
Center, Long Island (curated by Cie Goulet, Catalogue with Carter Ratcliff):
“ Between Painting and Sculpture,” Evanston Art Center, Illinois
“ Painting 1985,” Pam Adler Gallery, New York City
“ Constructures: New Perimetrics in Abstract Painting,” Nohra Haime Gallery, New York City
(curated and catalogue by Peter Frank)
“ Exuberant Painting,” 100 Church Street, New York City
“ Abstract Paintings - An Invitational Exhibit,” Irit Krygier Gallery, Los Angeles
“ A Decade of Visual Arts at Princeton, 1975-85,” Princeton University, New Jersey
(catalogue: J. Seawright and H. Senie)

1984

“Gallery Artists,” Susan Caldwell Gallery, New York City
Jan Cicero Gallery, Chicago, Illinois

1983

“Seven American Artists,” Cleveland Museum of Art, Ohio
(curated and catalogue by John L. Moore)
“ Selected Gallery Artists,” Susan Caldwell, Inc., New York City
“ Selected Large Paintings,” Robison Art Gallery, Rutgers U., Newark, New Jersey
Yale School of Art, Yale University, New Haven, Connecticut

1982

“Book Art,” D.W. Gallery, Dallas, Texas
“ Selected Gallery Artists,” Susan Caldwell, Inc., New York City
“ The Book as Art,” Sarah Lawrence College; Franklin Furnace, NY

1981

“75th Anniversary Benefit Exhibition for the Lighthouse,” Susan Caldwell, Inc., NYC
“ Paper Work,” Nina Freudenheim Gallery, Buffalo, New York
“ New Art II: Surfaces/Textures,” Museum of Modern Art, New York City
“ Recent Acquisitions: Drawings,” Museum of Modern Art, New York City
“ Four Painters,” Jan Cicero Gallery, Chicago, Illinois
“ Russia,” two-person exhibition with Andy Warhol, Anderson Gallery, Virginia
Commonwealth University, Richmond, Virginia (curated by Michael Walls.)
“ Faculty Exhibit,” Sarah Lawrence College, Bronxville, New York

1979

“American Paintings of the 1970’s,” Traveling exhibition curated by Linda Cathcart:
Albright-Knox Art Gallery, Buffalo, New York; Newport Harbor Art Museum,
Newport, California; The Oakland Museum, California; Cincinnati Art Museum,
Ohio; Art Museum of South Texas, Corpus Christie, Texas; Krannert Museum,
University of Illinois
“ Generation - Twenty Abstract Painters Born in U.S. Between 1929 and 1946,
An Invitational Exhibition,” Susan Caldwell, Inc., New York City
“ Abstraction in the 70’s,” Nielsen Gallery, Boston, Massachusetts
“ Some Abstract Paintings,” William Patterson College, Wayne, New Jersey
(curated and catalogue by Barbara Toll)
“ Collecting Contemporary Art,” J.B. Speed Art Museum, Louisville, Kentucky
“ Frances Barth, Drawings, Dan George, Sculpture,” Suzanne Lemberg Usdan Gallery,
Bennington College, Bennington, Vermont
“ American Painting: The Eighties,” Grey Art Gallery, New York University,
New York (curated by Barbara Rose; catalogue, Barbara Rose, Vista Press)
“ First Exhibition,” Toni Birckhead Gallery, Cincinnati, Ohio

1978

“San Francisco/Los Angeles/New York: A Three Part Series,” (with Donna Dennis and
Gordon Matta Clark), San Francisco Art Institute, CA (catalogue by Helene Fried)
“ Eight Abstract Painters,” Institute of Contemporary Art, University of Pennsylvania
(curated by Suzanne Delehanty; catalogue by Dore Ashton)
“ Talent,” Thomas Segal Gallery, Boston, Massachusetts
“ Drawing Made Material,” Hayden Corridor Gallery, MIT, Cambridge, Massachusetts

1977

“Gallery Group Show,” Susan Caldwell, Inc., New York City
“ The Geometry of Color,” Andre Zarre Gallery, New York City
“ Critics’ Choice: Loan Exhibition of Contemporary Paintings from the New York Gallery
Season, 1976-77,” The Joe and Emily Lowe Art Gallery, Syracuse University, NY
“ Contemporary Art in Atlanta Collections: Paintings and Drawings,” The High Museum of
Art, Atlanta, Georgia (catalogue by C.V. Poling)
“ Artists at Bennington, Visual Arts Faculty 1932-76,” Bennington College Art Museum,
Bennington, Vermont (catalogue by E.C. Goosen)

1975

Princeton University Art Museum, faculty exhibit, Princeton, New Jersey
Susan Caldwell, Inc., New York City

1974

Trenton State College, Trenton, New Jersey
“ Drawings and Paintings,” Susan Caldwell, Inc., New York City
Neilsen Gallery, Boston, Massachusetts
“ Women’s Work-American Art ‘74,” Philadelphia Civic Center, Pennsylvania

1973

“Three New York Artists,” (with Harvey Quaytman and Bernard Kirschenbaum),
Corcoran Gallery of Art, Washington, D.C.
Whitney Biennial, Whitney Museum of American Art, New York City
Bard College, Annandale-on-Hudson, New York

1972

Painting Annual, Whitney Museum of American Art, New York City
Warren Benedek Gallery, New York City
“ John Baldessari, Frances Barth, Richard Jackson, Barbara Munger, Gary Stephan”
Houston Museum of Contemporary Art, Texas (catalogue by J. Belloli)
The New Gallery, Cleveland, Ohio

1970

Group Print Show, Moore College of Art, Pennsylvania

Set Design:

1991

“Tunes,” Pacific Northwest Ballet, Seattle, Washington

1988

“Hide and Seek,” Jennifer Muller/The Works. Guest choreographed by Lynne
Taylor-Corbett. Performed at The Joyce Theater, New York City
“ Escape,” Atlanta Ballet. Choreographed by Lynne Taylor-Corbett. Allen Shawn, composer;
Judanna Lynn, costumes. Atlanta, Georgia

1984

“ Tunes,” Louisville Ballet. Choreographed by Lynne Taylor-Corbett. Charles Strouse,
Composer; Judanna Lynn, costumes. Performed at Louisville Center for the
Performing Arts, Kentucky; BCBC, Brooklyn, NY (1985)

Performances:

1970

Performed with Joan Jonas; Judy Padow

1969

Performed in Yvonne Rainer’s “Rose Fractions,” “North East Passing,” and “Trio A, or The Mind is a Muscle, Part I.” Billy Rose Theater, Broadway, New York

1968

Performed in Yvonne Rainer’s “Performance Fractions or Composite.” Lincoln Center
Performing Arts Library, New York City

Video:

2007

“End of the Day, End of the Day,” animation/video, TRT: 09:34 DVD/color and black and white. A film by Frances Barth
This animation/video is set just after 9/11 and involves the daily commute at the end of the day of a husband and wife. The car ride shows a passenger side view of New Jersey along the Hudson river;with voice over dialogue. The animation is mostly hand drawn, with a digitally animated section that accompanies the opening monologue.

Awards:

Anonymous Was a Woman Grant
American Academy of Arts and Letters Purchase Award
American Academy of Arts and Letters Purchase Award
Joan Mitchell Award
Adolphe and Esther Gottlieb Individual Support Grant
New Jersey State Council on the Arts Grant
National Endowment for the Arts Grant
John Simon Guggenheim Memorial Fellowship
National Endowment for the Arts Grant
Creative Artists Public Service Grant (CAPS)

Selected Collections:

195 Broadway Corporation, New York
Akron Art Institute, Ohio
Albright-Knox Art Gallery, Buffalo, New York
American Can Company, Greenwich, Connecticut
Amerada Hess Corporation, New York
Cameron Iron Works, Houston, Texas
Chase Manhattan Bank, New York
Coudert Brothers, New York
Dallas Museum of Fine Arts, Texas
First National Bank of Houston, Texas
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Humana Inc., Louisville, Kentucky
IBM Corporation, New York
Isham, Lincoln & Beale, Chicago, Illinois
Lehman Brothers, New York and Chicago
Metropolitan Museum of Art, New York
Midwest Museum of American Art, Elkhart, Indiana
Moravian College, Bethlehem, PA
The Milwaukee Art Center, Milwaukee, Wisconsin
Mobil Oil Corporation, New York
Museum of Modern Art, New York
Paul Haim Foundation, Paris, France
Prudential Insurance Company, New Jersey
Security Pacific National Bank, Los Angeles, California
Swiss Bank Corporation, New York
Tucson Museum of Art. AZ
Whitney Museum of American Art, New York
Wellesley College, Davis Museum, MA

Bibliography:

2007

Wood, Marcia, "click/shift/enter," catalogue 2007
Wilkin, Karen, "At the Galleries," The Hudson Review, Vol.59 No.4 Winter, pages 621-628.

2006

Wilkin, Karn, "Barth Ranges Wide", Art in America, Oct 2006
Wei, Lilly, “Dragon Veins,” (catalogue) USFCAM, Tampa, FL

2005

O’Brien, Barbara, “Being and Belief: The Paintings of Frances Barth,” (catalogue,) Dartmouth College, NH

2002

Cullum, Jerry, “Expanding the Possibilities of Paper,” The Atlanta Journal-Constitution,
Friday, Nov. 15, 2002

2001

O’Brien, Barbara, “Beneath the Surface,” catalogue by Montserrat College of Art

2000

Moos, David, “Dimension,” Art Papers, Mar./Apr. p.33-4.
Naves, Mario, N.Y. Observer Nov.13, p.16.
Johnson, Ken, The New York Times, Nov.
Cassidy, Victor, “Prairie Smoke,” ArtNet.com; magazine reviews 9-19-00
Zimmer, Bill, CT.N.Y.Times, Sunday, February 13.

1999

Radycki, Diane, Frances Barth, Geological Time: Paintings,(catalogue),
Moravian College, PA
Negroponte, G; Shepherd, R., Drawing in the Present Tense, Parsons School of
Art, New York, (catalogue.)
Cullum, Jerry, “Exploring Many Dimensions,” The Atlanta Journal,
Friday, September 24, 1999

1998

Byrd, Cathy, “Marcia, Marcia, Marcia,” Creative Loafing (Atlanta), Feb 7, 1998.
Wei, L., “Frances Barth”, Art in America, January 1998, page 99.

1997

Naves, Mario, “Promising Signs”, The New Criterion, June 1997, pages 48—50.
Wilkinson, Jeanne C., “After the Fall: Aspects of Abstract Painting Since 1970”,
Review, May 15, 1997, pages 11—12.
Robins, Corinne, After The Fall (catalogue), 1997, pages 43—44.
Bell, J. Bowyer, Review, May 1, 1997, pages 24—25.
Wilkin, Karen, (At the Galleries) Partisan Review I, 1997, page 88.News, Surprise and
Nostalgia, (catalogue), Hunter College of CUNY, NY,Leubsdorf Art Gallery.
“ A La Vigie — Art Contemporain”, Midi Libre, Lundi 26 Juin.
“ Rencontre N° 6 Nimes”, Tendance Sud, Juin.
“ Rencontre N° 6” , Lalades, Juin.

1994

Saltz, Jerry, “A Year in the Life: Tropic of Painting”, Art in America, October 1994, page 93.
Kalina, Richard, "Frances Barth at E.M. Donahue", Art in America, October 1994, page 133.
Huntington, Richard, “Ideas of Abstraction”, The Buffalo News, Sept. 30, page 21.
Smith, Roberta, “Frances Barth,” The New York Times, June 10, page C-18.
Welish, Marjorie, Frances Barth 1982-93 (catalogue), University of Massachusetts,
Herter Art Gallery.

1992

Kramer, Hilton, The New York Observer, December 30-January 6, 1992.
Wilkin, Karen, Partisan Review I, 1992, page 111.

1991

Huntington, R., The Buffalo News, May 13, page C-8.

1989

Thompson, Walter, Art in America, September 1989, page 209.
Welish, Marjorie, “Frances Barth-Paintings,” pub. Tomoko Liguori Gallery, NYC.
Moore, John L.and Zimmer, William, Contemporary Landscape:Five Views,
(catalogue) The Waterworks Visual Arts Center, North Carolina
Smith, Roberta, “Galleries Paint a Brighter Picture for Women,”The New York Times
April 14, page C-1
Smith, Shaw, “Contemporary Landscape: 5 Views,” New Art Examiner, May, page 52.
Davis, Suzanne, “Contemporary Landscape,” Atlanta Art Papers, May/June, page 58.
Barringer, Paul, “Landscape of Self vs. Picturesque Conventions - A Study in
Contrast at the Waterworks,” The Arts Journal, April, page 17.
Maschal, Richard, “Landscapes’ Reflections Troubling,” The Charlotte Observer,
February 22, page D-2.

1987

Albright Knox Art Gallery, The Painting & Sculpture Collection: Acquisitions Since
1972; Buffalo Fine Arts Academy, 1987.
Zimmer, William, “Jersey City Keeps Its Museum Going,” The New York Times, January 4.
Smith, Helen C., “Ballet Triumphs With Premiere of Vivid ‘Escape’,”
The Atlanta Journal & Constitution, October 16, pages 1-10.
Smith, Helen C., “Ballet Premiers Elusive ‘Escape’,” The Atlanta Journal
& Constituion, October 11, pages J1-J4.
Watkins, Eileen, “Jersey City Museum Lucky to Reach Its 10th Anniversary,”
The Sunday Star-Ledger, January 25, Section 4, page 14.

1986

Watkins, Eileen, The Sunday Star-Ledger, October 5, Section 4, page 15.
Watkins, Eileen, The Sunday Star-Ledger, December 26, page 60.
Moodie, E., The Jersey Journal, December 26, page 3.
Zimmer, William, The New York Times, September 28, New Jersey section, page 28.
Duffy, M.S., Artists at Hunter (catalogue), Hunter College Art Gallery, New York.

1985

Lipson, Newsday, December 27.
Heartney, Eleanor, “Abstract Painting Redefined,” Art News, Summer.
Glueck, Grace, The New York Times, March 8.
Giliberto, Tony, “Abstract Painting Redefined,” New Art Examiner, Summer, page 71.
Donnell, Sally, “Frances Barth, Martin Prekop,” New Art Examiner, Summer, page 59.
Heymann, John, “Exhibit at Danforth: Abstract Painting Redefined,” Newswest,
volume 1, no. 6, September 1.
Seawright, J. and Senie, H., A Decade of Visual Arts at Princeton: Faculty 1975-1985
(catalogue), The Art Museum at Princeton University, 1985.
Frank, P., Constructures: New Perimeters in Abstract Painting (catalogue),
Nohra Haime Gallery, New York.
Goulet, Cie and Ratcliff, Carter, Abstract Painting Redefined (catalogue),
Meisel Gallery, New York, 1985.

1984

Woolsey, “Joyous Dance Buoys Finale of New Ballets,” Louisville Times, October 5.
Elson, Martha, “New Works, Premiere Keeping the Louisville Ballet on its Toes,”
Louisville Times, September.
Heilenman, Diane, “Frances Barth’s Perfectionism and Hard Work Show in Her
Set,”Louisville Times, September 30.
Mootz, William, “Louisville Ballet at Kentucky Center for the Arts: ‘Odalisque,’
‘ Courtly Dances,’ and ‘Tunes’,” Louisville Courier Journal, September.
Robins, Corinne, The Pluralist Era, American Art 1968-1981 (Harper & Row, 1984).
Ferrulli, H., Painting and Sculpture Today 1984 (Indianapolis Museum of Art )

1983

Handy, Ellen, “Art Reviews,” Arts Magazine, vol. 57, no. 1, June, page 35.
Lubell, Ellen, “Frances Barth at Susan Caldwell,” Art in America, vol. 71, no. 1,
November, pp 222-223.
Moore, John L., Seven American Artists (catalogue), The Cleveland Museum of Art,
Cleveland, Ohio.

1982

Oresman, Janice, Lehman Brothers Kuhn Loeb Art Collection (catalogue).

1981

Yoskowitz, Robert, “New York Reviews,” Arts Magazine, December, pp. 14-15.
Plagens, Peter, Art in America, November, page 12.
Glueck, Grace, “Choice Spots for a Gallery Hopping Tour of Soho,”
The New York Times, October 16, section C.
Sweet, David, “The Decline of Composition,” Artscribe, no. 28, March 31, pages 18-23.

1980

Yoskowitz, Robert, Review, Arts Magazine, May, page 31.
Walker, J.F., Artscribe, April, pages 16-23.
Goldman, Judith, “Printmaking: The Medium Isn’t the Message Anymore,”
Art News, March, page 82.
Ruhe, B., Art/World, February 15-March 15, page 8.
Poroner, P., Artspeak, February 14, page 2.
Larson, Kay, Review, The Village Voice, February 11.
Merritt, Robert, “Andy Warhol/Frances Barth,” Richmond Times-Dispatch,
January 15, page B-7.

1979

Smith, Roberta, “Portfolio, A Celebration of Women Artists,” Ambiance,
March, pages 84-87.
Frank, P., The Village Voice, January 22, page 69.
Carlson, P., Review, Art in America, May-June, pages 138-139.
Russell, John, The New York Times, February 9, page C-24.
Rose, Barbara, American Paintings: The Eighties (catalogue), Vista Press, 1979.

1978

Lubell, E., Arts Magazine, March, page 31.
Herrera, Hayden, Art in America, July-August, pages 113-114.
Frankenstein, A., San Francisco Chronicle, February 2.
Louie, R., Artweek, February 25.
Danohoe, V., Philadelphia Enquirer, March.
Forman, Nessa, “Eight Abstract Painters in Search of Their Roots,”
The Sunday Bulletin (Philadelphia), March 26, page 8.
Perrone, Jeff, Artforum, March, page 65.
Robins, Corinne, “Frances Barth,” Arts Magazine, March, page 6.
Zimmer, William, Review, The Soho Weekly News, January 19.
Cathcart, Linda, American Paintings of the 1970’s (catalogue),
Albright-Knox Gallery, Buffalo, New York.
Kramer, Hilton, “A Brave Attempt to Encapsulate a Decade,”
The New York Times, December 17.
Kline, Kathy, “Painting of the 70’s Exhibit Has Variety,” Courier-Express,
December 9.
Fried, Helene, San Francisco, Los Angeles, New York (catalogue)
San Francisco Art Institute.
Ashton, Dore, Eight Abstract Painters (catalogue), Institute of Contemporary Art
University of Pennsylvania.

1976

Doty, R., Contemporary Images in Watercolor, Akron Art Institute, 1976.
Kingsley, April, Review, Soho Weekly News, October 21-27, page 17.
Kingsley, April, Review, Soho Weekly News, April.
Wahl, Kenneth, Review, Soho Weekly News, November 4, page 20.
Smith, Roberta, Artforum, January, page 63.
Henry, G., Art News, December, page 122.
Goosen, E.C., Artists at Bennington, Visual Arts Faculty, 1932-1976 (catalogue),
Bennington College Museum of Art, Bennington, Vermont
Poling, C.V., Contemporary Art in Atlanta, Georgia: Paintings and Drawings,1976,
The High Museum of Art, Atlanta, Georgia.

1975

Frackman, Noel, Review, Arts Magazine, December, pages 17-18.

1974

Frank, P., Art News, October, pages 122-123.
Robins, Cronne, Review, Art in America, September-October, page 113.
Segel, J., “Philadelphia: In Her Own Focus,” Art in America, July-August, pages 99-101.
Kingsley, April, Art International, Summer.
Gruen, John, Review, Soho Weekly News, May 9, page 14.
Frank, P., Soho Weekly News, May 2, page 14.
Andre, Michael, Review, Art News, October, page 125.

1973

Bowling, Frank, “A Modest Proposal,” Arts Magazine, February, pages 55-59.
Bowling, Frank, “Revisions Part 2, Color & Recent Painting,” Arts Magazine,
March, pages 47-50.
Belloli, J., John Baldessari, Frances Barth, Richard Jackson, Barbara Munger,
Gary Stephan (catalogue), Contemporary Arts Museum, Houston, Texas, 1972.