| David Brody, "Nothing Forced Yet Nothing Lax: Frances Barth in Bushwick," artcritical, December 7, 2017 |
Joan Waltemath, "FRANCES BARTH: Scale, Economy and Unnamable Color," The Brooklyn Rail, 2010 |
Karen Wilkin, "Barth Ranges Wide," Art in America, October 2006 |
Barbara O'Brien, "Beneath the Surface," catalogue by Montserrat College of Art, 2001 |
David Moos, "Dimension," Art Papers, Mar/Apr 2000 |
| Corinne Robins, "The Pluralist Era," 1984, p.186-188 |
J. Bowyer Bell, "New Paintings," Review, May 1997 |
Richard Kalina, "Frances Barth at E.M. Donahue," Art in America, October 1994 |
Karen Wilkin, "At the Galleries," Partisan Review I, 1992, p. 111 |
Smith, Roberta, "Galleries Paint a Brighter Picture for Women,"The New York Times April 14, 1989, page C-1 |
| Karen Wilkin,"Frances Barth," "Scale, Economy, and Unnamable Color," Sundaram Tagore Gallery, NY, 2010 |
Karen Wilkin, "Extreme Possibilities," The Painting Center, NY, 2009 |
Roberta Smith, "Portfolio: A Celebration of Women Artists," Ambiance Magazine, 1979, p.86 |
Barbara O'Brien, "Being and Belief: The Paintings of Frances Barth," Dartmouth College, NH, 2005 |
Marjorie Welish, "Frances Barth: Paintings," Tomoko Liguori Gallery, NY, 1989 |